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"Biting the Forbidden Fruit: A Digital Communion of Queer Redemption”
2023 Competition entry
Detail
Tags
Linde Kriel
Details:
Not Signed
Digital print and AI
55cm x 200cm
R3000.00
Description:
This multi-digital media artwork embarks on a journey through time and scripture to cast a contemporary mirror upon the age-old narrative of sin and redemption. "Biting the Forbidden Fruit" is a reinterpretation of the biblical tale of Eve's transgression, an exploration that both exposes the historical paradox within religious teachings and parodies the consequences of exclusion.
According to the Bible, the first sin was Eve's audacious act of eating the forbidden fruit. Yet, the Bible also cautions against chasing the children of God away from the sanctuary. Today, we find that queer individuals, among others, are being driven from the church, casting a shadow over the very institution designed to offer solace and salvation.
This digital painting breathes new life into the iconic imagery of "The Last Supper." This act of recreation itself serves as a poignant commentary, broadcasting the persistent struggle faced by the LGBTQ+ community and others who have been ostracised from religious congregations. The digital medium allows me to address this issue with a fresh perspective, reminding us that the battle for acceptance and inclusion is far from over.
Central to the artwork are apples, symbolising the original sin. But these apples are more than just static fruit; they are dynamic symbols that expose the consequences of exclusion.
When scanned, they come alive, broadcasting AI-generated poems that convey both the emotionlessness of these divisive decisions and the potential for transformation.
This juxtaposition mirrors the duality of the church's actions: the cold rejection of the marginalised and the limitless potential for warmth and acceptance.
"Biting the Forbidden Fruit" invites viewers to consider the paradoxical nature of religious teachings and the implications of casting aside those who seek spiritual refuge. It challenges us to recognise that in isolating and persecuting any group, the church itself takes a bite of the forbidden fruit of intolerance. Through digital art and AI-generated poetry, I hope to encourage dialogue, inspire change, and, ultimately, foster a more inclusive and welcoming environment for all.
Digital print
Artificial Intelligence
Detail
Tags
Linde Kriel
Details:
Not Signed
Digital print and AI
55cm x 200cm
R3000.00
Description:
This multi-digital media artwork embarks on a journey through time and scripture to cast a contemporary mirror upon the age-old narrative of sin and redemption. "Biting the Forbidden Fruit" is a reinterpretation of the biblical tale of Eve's transgression, an exploration that both exposes the historical paradox within religious teachings and parodies the consequences of exclusion.
According to the Bible, the first sin was Eve's audacious act of eating the forbidden fruit. Yet, the Bible also cautions against chasing the children of God away from the sanctuary. Today, we find that queer individuals, among others, are being driven from the church, casting a shadow over the very institution designed to offer solace and salvation.
This digital painting breathes new life into the iconic imagery of "The Last Supper." This act of recreation itself serves as a poignant commentary, broadcasting the persistent struggle faced by the LGBTQ+ community and others who have been ostracised from religious congregations. The digital medium allows me to address this issue with a fresh perspective, reminding us that the battle for acceptance and inclusion is far from over.
Central to the artwork are apples, symbolising the original sin. But these apples are more than just static fruit; they are dynamic symbols that expose the consequences of exclusion.
When scanned, they come alive, broadcasting AI-generated poems that convey both the emotionlessness of these divisive decisions and the potential for transformation.
This juxtaposition mirrors the duality of the church's actions: the cold rejection of the marginalised and the limitless potential for warmth and acceptance.
"Biting the Forbidden Fruit" invites viewers to consider the paradoxical nature of religious teachings and the implications of casting aside those who seek spiritual refuge. It challenges us to recognise that in isolating and persecuting any group, the church itself takes a bite of the forbidden fruit of intolerance. Through digital art and AI-generated poetry, I hope to encourage dialogue, inspire change, and, ultimately, foster a more inclusive and welcoming environment for all.
Digital print
Artificial Intelligence